We’re willing to admit when we’ve made a mistake, and in this instance it was not covering Wye Oak‘s 2014 album Shriek last year. We’re remedying this now, however, because the ethereal, dreampop soundscapes of the Baltimore duo—composed of multi-instrumentalist Andy Stack and vocalist Jenn Wasner—fall right within our wheelhouse. In an effort to transform themselves on their fourth studio album, Wye Oak shed their guitars for a more synthesized sound and the result is nothing short of stupendous. Wasner’s angelic alto has a calming effect that reaches its full potential on palpable songs like “Shriek” and “Before,” the opening tracks of the LP. Stream these efforts from the immensely talented duo below. Wye Oak has also announced a special upcoming performance with the Baltimore Symphony Orchestra in November.
Father John Misty, the moniker of Josh Tillman and former member of Fleet Foxes released his sophomore album last month to near universal praise. Misty seems to have mastered the perilous arch between earnest artistry and satirical indifference, as Tillman’s natural talent merged with his unabashed lyricism is a risk that pays off in dividends on the new album. On the ironically titled LP, I Love You, Honeybear, the Baltimore-bred artist bands together a brazenly beautiful collection of music, covering everything from drugs, to religion, to marriage, and so much more.
“Chateau Lobby #4 (in C for Two Virgins)” is a melodic, feel-good folk number, appropriately dedicated to his wife and filled with playful harmonies, strings and mariachi horns towards the end. However, our truest adoration lies with the subsequent song to “Chateau,” the more electronic-leaning track entitled “True Affection.” The whole endeavor is worth experiencing start to finish though — find it on iTunes here.
Additionally, Father John Misty will be playing a sold-out show this Saturday at DC’s 9:30 Club so if you got tickets, good on you.
“Boys Latin” is the second single off the new album from Noah Lennox — aka Panda Bear, Animal Collective’s ursine contemporary. As with the best of his previous offerings, the track subsists on chunky, grooving drums and a fried bassline that sounds reminiscent of the chattering low end of a Van de Graaff generator. The rhythm section’s groovy bedrock lays a great foundation for Lennox’s echoing vocal repartee to bounce across the left and right channels, suspended in that dreamy snapshot of exploring the woods that Panda Bear’s boyish voice so readily evokes.
Lennox’s new LP, Panda Bear Meets the Grim Reaper — in which the themes of death and personal growth are explored — was released earlier this month via Domino Records and is available for purchase on iTunes.
About a month ago the following synth track fell into inbox, only to be delivered to my spam folder. Fortunately I was able to recover it before it was too late, as not everyday does a local talent such as The National Pool present itself in my purview.
The Baltimore-based group consists of Bradley White and Kyle Cornett, who have been making chilled out tunes together since 2006. On their track “Better,” the duo explore a verse-verse song structure with the meditative repetition of a simple set of lyrics, counterbalanced by a flurry of synth sounds and the use of a vocoder. The result is a dreamy soundscape, similar to Odesza. Stream below.
By some miracle, I was able to see the sold out Beach House show at 930 club last night. The ethereal sounds of the Baltimore-based band are literally the stuff dreampop dreams are made of, and they did not disappoint.
Below is footage of them performing “Take Care” off previous LP Teen Dream (not the greatest quality but still), an amped up remix of “Norway,” and finally the video for my favorite track off the new album Bloom — “Wishes.”
House – Wishes</a> from <a href=”http://vimeo.com/graveyardpoet”>Mark
Lager</a> on <a href=”http://vimeo.com”>Vimeo</a>