RMX ROUNDUP: Jocelyn Alice + The Him / Classixx + How To Dress Well / Lindstrøm


We’ve got another Remix Roundup for you this week, a biweekly segment in which we bring you the latest and greatest mixes and electronic earworms currently burning up the blogosphere. First up is a rework of rising Canadian pop star Jocelyn Alice‘s hit song “Jackpot” by The Him. The Dutch producers have created an energetic edit by speeding up the tempo — using Alice’s kinetic vox (which recall those of MS MR‘s Lizzy Plapinger) to maximum effect. Look out for Alice’s debut EP to be released later this year.

We recently featured Classixx with their noteworthy cover of Natalie Prass‘ “Bird of Prey,” who in addition to fashioning remixes also craft their own material. The LA production duo have been bringing electronic music to the masses for a few years now, and this week they dropped their second album Faraway Reach via Innovative Leisure. The album includes some choice collabs, including the summery disco anthem “Just Let Go” with How To Dress Well.       Just listen below.

Closing out this edition of Remix Roundup is the new one from prolific Norwegian producer Lindstrøm, whose new EP Windings is due out July 8 through Smalltown Supersound/Feedelity Recordings. Windings seems like an apt title for an electronic artist who knows how to deftly take you on a musical odyssey or “space disco” journey as he calls it, much like his peer Todd Terje. Stream the EP’s first single “Closing Shot” below. DC locals can experience his atmospheric set at U Street Music Hall July 28.

RMX ROUNDUP: Alpine + Pikachunes / Natalie Prass x Classixx / Alison Wonderland + Happy Accidents / Autograf / Dagny + Atella


Today we’ve got a supersized edition of Remix Roundup — a segment in which we bring you the latest and greatest mixes and electro jams on the market. To begin we have Australian artist Pikachunes rework of Alpine‘s “Crunches” from their prized 2015 LP Yuck. On this extended official remix, Pikachunes reconstructs the sonic soundscape and injects some intricate textures, adding some serious dimension to the original.

It should come as no surprise that we’re digging Classixx‘s cover of Natalie Prass’ “Bird Of Prey,” one of our favorite tracks of 2015. Joe Keefe lent his vocals to the track, who joins the ranks of Ryan Adams (under the sobriquet Natalie Sass) doing a male rendition of the nu classic.

It was also somewhat of a happy accident (haha) that we came across this Happy Accidents revision of Alison Wonderland‘s hit song “Run.” The bicoastal producers did a nice job infusing their signature nu-disco sounds and driving synths into the original. Pick up a free download of this one on Soundcloud.

Autograf captured our attention with their exquisite rendition of Stevie Wonder‘s “Superstition,” and just yesterday they dropped the new EP Future Soup. The lead single “Heartbeat” below features a soulful vocal sample from what sounds like an old song that we failed to uncover. In any case, check it out below and if you have any idea as to the original sample help us out in the comments below.

And finally we have an energetic edit of Dagny‘s pop track “Backbeat” by Norwegian producers Atella that’s sure to get you in the dancing mood. Enjoy!

Mt. Si – Either / Or

Mt. Si

Mt. Si captivated our attention in 2014 with shimmering tracks “Oh” and “True.” While their identity was unknown at the time, it was recently revealed that the group is made up of singer Sarah Chernoff of Superhumanoids, Jesse Kivel of Kisses, and Michael David of Classixx — and now suddenly everything makes sense. Since realizing their potential as a trio, the dreamy three-piece “have been slowly chipping away at songs for almost four years now,” explains Kivel. “[We take] a relaxed and loose approach to the project, never settling until we have a great track has been one of the guiding principles.”

Their new single “Either / Or” showcases just that, and serves as a shining example of electropop at its most stylish and fluid. The track will be featured on their upcoming EP Limits, out February 5 on Cascine.