We’re in the midst of summer now, and we’ve got another installment of Remix Roundup this week to help keep you cool. For the unitiated, this is CCP‘s biweekly segment in which we serve up a triad of the latest and greatest mixes and electronic works in circulation.
The first offering we have today comes from an electronic duo out of Sweden known as PANG! They impressed us last year with their track “Touch,” a retake on Christina Aguilera‘s “What A Girl Wants.” Now, the contemporary duo comprised of Kristoffer Kent and Alexander Fahlberg have another release on Dutch label Dirty Soul Records called “Grow On Me.” The track is about the uncertainty of taking a romantic leap with someone new, and features deep house elements fused with high trumpets and soaring vocals.
Next up is an original from Italian-born, Florida-bred producer as Durante. The currently LA-based artist just released his two-track EP Goddess / Cold, which firmly places the producer’s sound in the realm of rhythmic house with a side of Balearic beats. Speaking on the lead cut “Goddess,” Durante says the track is about “the inner goddess inside of everyone and the raw power of being in touch with one’s inner feminine qualities.” It’s an percussive, exotic number with a tribal-sounding drum line and enticing vocals, accompanied by visual art from female illustrator So-Hyun Bae. With an inventive style of electronic music, Durante is one to put on your radar.
Last but not least, we loved the single “Lines” from Lil Silva‘s from 2016 EP Jimi. Now, the original song from the UK producer has been given the remix treatment by London’s George FitzGerald. Increasing the tempo of the ethereal prototype, FitzGerald stays true to the original sentiment by keeping the synth flourishes to a minimum, while adding a beat that’s sure to make for a euphoric late-night dance party. Listen below.
Been a bit busy as of late, but we’ve gotten so many solid electronic submissions recently that we can’t help but bring you another edition of Remix Roundup. Promise to get back on the ball soon but in the meantime, enjoy this latest installment of RMX Roundup — a biweekly segment in which we deliver the latest and greatest mixes and electronic cuts on the blogosphere.
First up is the new one from Elderbrook, the classically-trained London musician and producer who released his debut EP Simmer Down in 2014. His new track “Go” is another rhythmically-rich, vocally-enticing, bass-heavy banger that’s inherently built for the club.
Following the release of their EP Profite last year, France’s Moi Je have unveiled a remix package for the title track. While there are a handful of versions to choose from, we’re partial to Boycott‘s rendition. The young London producer, born Will Hayes has put together an impressive edit of the nu-disco track, which starts out seductively sparse and then breaks out into a full-on house jam with bright synths bursts. We can’t get enough, so pick up a free download on Soundcloud today.
Last but not least, Atlanta producer Popeska has revealed plans to release a debut album he’s calling Spirit Animals. Accompanying the announcement is the new single “Doing Me Wrong,” a future-bass beat with superb production. Featuring a vocal sample that seems to have been lifted from a smash sixties soul song (help anyone?), this one is seriously addictive. It’s also available for free on Soundcloud, so add it to your summer playlist stat and look out for more releases from Popeska leading up to the drop of the LP.
The last couple of weeks have seen the release of some enterprising remixes, which means it’s time for a new Remix Roundup — a semi biweekly segment in which we bring you the latest and greatest mixes circulating the interwebs. First up comes courtesy of Oliver Nelson, who’s reworked Childish Gambino‘s hit track “Sober.” Nelson’s rendition is an infectious, funk-infused feel-good track that will leave you as high as Gambino avows. Nelson is giving this one away for free on Soundcloud, so make sure to add it to your summer playlist.
Next, RÜFÜS DU SOL‘s transcendent track “Innerbloom” gets a bright future sound rework by Sydney producer What So Not. Keeping the melancholic vibe of the original, What So Not ups the bass and tempo, rendering it dance-floor ready. Listen below.
And finally, LA producer Gryffin has done outdone himself with this official new mix of CHVRCHES‘ “Clearest Blue.” Already a standout track on CHVRCHES’ latest LP Every Open Eye, Gryffin transforms the pop number into a euphoric, electronic house anthem, making this a contender for best remix we’ve heard all year.
All hail Queen RiRi. We were big fans of her No. 1 hit “Work” and collab with Drake, so we’ve got a special treat for you today. Although we personally feel the official remixes of the single let us down by not capturing the energy of the original, there’s no denying that the addictive track has spurred a profusion of creativity — so today we’re rounding up the most innovative of the “re-works” in this exclusive edition of
Remix RiRi Roundup.
First up is a bootleg by DJDS (formerly known as DJ Dodger Stadium), the LA duo comprised of Jerome LOL and Samo Sound Boy who recently lent their production chops to Kanye‘s The Life of Pablo. The mix flips the original by replacing the dancehall rhythm with aerial piano lines and deep house production. The only thing missing in this rendition is Drizzy, but it’s still an inspired reinterpretation that you can pick up for free on Soundcloud.
Another unauthorized remix comes by way of Rihanna collaborators, R. City or Rock City. The Caribbean-born brothers Theron and Timothy Thomas stay closer to the original on their revision, leaving the island influences intact but adding their own verses to the beginning. We dig the lyrical addition on this cut — which is also available for free download.
Last but not least, future-funk artist Brayton Bowman serves up an immaculate mashup of Rihanna and *NSYNC with “It’s Gonna Be RIH.” I mean, does it get any better? Produced by MNEK, the result is what would happen if NSYNC and Rihanna were to have a love child. Brayton Bowman, you win.
Today we’ve got a supersized edition of Remix Roundup — a segment in which we bring you the latest and greatest mixes and electro jams on the market. To begin we have Australian artist Pikachunes‘ rework of Alpine‘s “Crunches” from their prized 2015 LP Yuck. On this extended official remix, Pikachunes reconstructs the sonic soundscape and injects some intricate textures, adding some serious dimension to the original.
It should come as no surprise that we’re digging Classixx‘s cover of Natalie Prass’ “Bird Of Prey,” one of our favorite tracks of 2015. Joe Keefe lent his vocals to the track, who joins the ranks of Ryan Adams (under the sobriquet Natalie Sass) doing a male rendition of the nu classic.
It was also somewhat of a happy accident (haha) that we came across this Happy Accidents revision of Alison Wonderland‘s hit song “Run.” The bicoastal producers did a nice job infusing their signature nu-disco sounds and driving synths into the original. Pick up a free download of this one on Soundcloud.
Autograf captured our attention with their exquisite rendition of Stevie Wonder‘s “Superstition,” and just yesterday they dropped the new EP Future Soup. The lead single “Heartbeat” below features a soulful vocal sample from what sounds like an old song that we failed to uncover. In any case, check it out below and if you have any idea as to the original sample help us out in the comments below.
And finally we have an energetic edit of Dagny‘s pop track “Backbeat” by Norwegian producers Atella that’s sure to get you in the dancing mood. Enjoy!
Semi last-minute edition of Remix Roundup this weekend, because why not. Empress Of produced one of our favorite records this past year, and now her tourmate, ABRA the darkwave duchess has reworked her single “Standard.” While the original is excellent in its own right, ABRA’s edit adds a frenetic, skittering element with a characteristic dark-pop edge that fans of Empress Of are sure to appreciate.
Next is the recent RAC remix of Minneapolis’ trio ON AND ON‘s early 2015 track “Drifting.” Elevated by RAC’s graceful electronic beats, André Anjos twists the track into a fuller, more dynamic recast using the original acoustic-leaning cut as a framework. Notable is Nate Eiesland’s vocals, which even when while yowling “I gotta get out” during the chorus still sound exquisite.
And last but not least is a reinterpretation of a song by newcomer Delaire from purveyors of dreamy electronic music, Delorean. As usual, the Spanish quartet made an outstanding choice by borrowing the beautiful debut track, “Belief” from the UK chanteuse and bringing it into the limelight with their stunning, diffuse and synth-injected rendition.
It’s been some time since we posted a Remix Roundup, a segment in which we bring you the latest and greatest mixes on the webs. We got inspired though when we heard this new one from Shy Girls and had to share. The Portland producer has taken the lo-fi track “One Too Far” from NYC duo Jack + Eliza and suffused it with his own brand of bright electronics and synth-based instrumentals. Shy Girls’ rendition illuminates the harmonies of the original, and the finished product is a gorgeous demonstration of a rework done right.
Next is an edit of our favorite Australian crooner (none other than Chet Faker) by a St. Petersburg-based band called D-Pulse. “Bend” was a previously unreleased track from Faker, recorded during sessions for his 2014 debut LP Built on Glass. While the original has a definite minimalist reverb-immersed feel, D-Pulse fleshes out the dramatic elements of the cut with their slinky and top-notch production. It’s a stunning, magnetic mix and you can get it for free on Soundcloud.
To cap off this edition of RMX Roundup, we’ll leave you with TÂCHES tantalizing take on Wet‘s “Move Me.”
A lot of end-of-summer remixes have surfaced as of late, which means it’s time for another Remix Roundup. To start, we wanted to share the Star Slinger rendition of swim good‘s “Since U Asked.” The original was a nostalgic gem of a track, and the UK producer takes it to the next level with his stellar upbeat spin. While leaving Merival‘s vocals at the forefront, Star Slinger shakes up the tempo and brings out the beat, ensuring the danceability factor. Stream below.
Next is the new mix of filous‘ first original track, “How Hard I Try” by prolific Portland producer RAC. The original track, by rising Austrian artist and music prodigy filous (the french word for “Rascal”) features vocals from James Hershey and has an inherently tropical tone. RAC takes it in a different direction with a more muted approach to the synths and haunting echoey instrumentation, which is apt given the subject matter.
In related news, RAC is actually going on tour with filous, Big Data and Pink Feathers this fall so be sure to check out their tour dates. For those in the District, they’ll be at DC’s 9:30 Club November 10 so get your tickets now!
Last but not least, we’re loving the fresh Four Tet take on the new CHVRCHES single “Leave A Trace.” CHVRCHES — everyone’s favorite Scottish synthpop outfit — caused a stir on the internet with the announcement of their sophomore album, Every Open Eye, due out September 25 on Glassnote Records. The English electronic artist strips down the poppiness of the original and instead supplies an underlying tension, building the track around the hook: “I know I need to feel relief.” It’s a masterful case of the production mimicking the message of the song, as only Four Tet is capable. Listen below.
It’s the dead of summer, and we’ve got another Remix Roundup for you to help keep you cool. This time we’re throwing down with some modern twists on old classics. First up is a mix of Marvin Gaye‘s “How Sweet It Is” by rising star and local DC producer, Eau Claire. Adding a tropical overlay and healthy helping of nu-disco to the original, this one has “feel-good” written all over it.
Eau Claire will be spinning at the BangOn!NYC Elements Music & Arts Festival August 22 in Brooklyn with the likes of XXYYXX, Amtrac and Autograf. Be sure to keep up with her on the interwebs as she plays a lot of local shows as well.
In keeping with the summery Marvin Gaye vibes, enjoy this edit of “Sunny” by Danish producer Notize. When the beat drops about 30 seconds in you can’t help but get into this golden groove.
And finally, shifting ahead a couple decades later we have Tracy Chapman‘s classic 1988 hit “Fast Car,” remixed by the Dutch producer known as Bauke Top. Upbeat and appropriately true to the original vocal line, Bauke Top allows you to enjoy this tune all over again with his contemporary rendition.
All three of these tracks are available for a free download, so visit the artists’ respective Soundcloud pages to snag ’em for your summer playlists.
Time for another Remix Roundup, a semi-biweekly segment in which we bring you the best new mixes and electronic tracks currently in our rotation. First up is the new single from RÜFÜS, the Australian act who are getting ready to release their sophomore album and follow-up to Atlas. The Sydney trio make dark, hypnotic electronic jams that we — and the large amount of fans they’ve amassed — can’t get enough of. Stream “You Were Right” below.
Speaking of artists people can’t get enough of, it’s been a banner year for Will Phillips, the gifted UK producer professionally known as Tourist. He won a Grammy for co-writing Sam Smith‘s smash hit “Stay With Me,” and has collaborated with a number of big name artists. While his take on CHVRCHES synthpop anthem “Lies” isn’t new, it feels like a good time to revisit one of his first major mixes. Stripping back the original into a slow-burning, piano-backed ballad, Tourist keeps the focus on Lauren Mayberry‘s vocals, which are masterfully layered and pitch-shifted at points to potent effect.
At last, we have a new one from Daniele di Martino, the German DJ/producer who has thoroughly impressed us with his intense, sun-drenched rendition of Tora‘s hit track “Jaigantic.” The more subdued original comes from Australian quintet Tora’s 2014 EP, Eat The Sun. With the fervid beats and bass Martino infuses — along with the yearning vocals — this entrancing revision is truly outstanding. It merits a spot on your summer playlist so snag a free download by liking Martino’s Facebook page here.