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RMX Roundup: Childish Gambino + Oliver Nelson / RÜFÜS DU SOL + What So Not / CHVRCHES + Gryffin

Posted on April 30, 2016 by poetryinanemptycokecan

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The last couple of weeks have seen the release of some enterprising remixes, which means it’s time for a new Remix Roundup — a semi biweekly segment in which we bring you the latest and greatest mixes circulating the interwebs. First up comes courtesy of Oliver Nelson, who’s reworked Childish Gambino‘s hit track “Sober.” Nelson’s rendition is an infectious, funk-infused feel-good track that will leave you as high as Gambino avows. Nelson is giving this one away for free on Soundcloud, so make sure to add it to your summer playlist.

Next, RÜFÜS DU SOL‘s transcendent track “Innerbloom” gets a bright future sound rework by Sydney producer What So Not. Keeping the melancholic vibe of the original, What So Not ups the bass and tempo, rendering it dance-floor ready. Listen below.

And finally, LA producer Gryffin has done outdone himself with this official new mix of CHVRCHES‘ “Clearest Blue.” Already a standout track on CHVRCHES’ latest LP Every Open Eye, Gryffin transforms the pop number into a euphoric, electronic house anthem, making this a contender for best remix we’ve heard all year.

DC LIVE: Maryjo Mattea / The Thermals / Vetiver

Posted on April 27, 2016June 6, 2016 by poetryinanemptycokecan

So many great live shows in DC every week it’s hard to keep track; thus we’re starting a new segment in which we highlight some noteworthy upcoming acts — both local and national — that you won’t want to miss.

First up in this new series we’re calling DC Live is our very own Maryjo Mattea, the folk-pop-punk-rock songstress and local fixture on the DC circuit. Mattea performs regularly in the District on any given night of the week with any of her many bands, which currently include synthpop collective Color Palette and the Beatles tribute act Doctor Robert and Penny Lane. This Thursday, April 28 she’ll be performing with A Pile of Dudes at Songbyrd Music House in celebration of the release of her new solo EP, Four Minute Symphonies. Listen to the sultry new single and torch track “Getting Over You,” replete with a sliding guitar solo from DC blues rocker Jonny Grave below.

Next up, Portland punk act The Thermals are currently on tour in support of their seventh album, We Disappear. With a solid fan base, the trio have been going strong for over a decade and continue to please fans with their signature lo-fi and distortion effects. The LP — out on Saddle Creek was produced by their longtime collaborator Chris Walla (formerly of Death Cab For Cutie). Hear the new track”My Heart Went Cold” below and catch them playing Black Cat April 30.

Longtime folk rockers Vetiver put out a new record last year called Complete Strangers and released on Easy Sound. The San Francisco-based outlet fronted by Andy Cabic exude an accessible affability on their sixth full-length, the follow up to 2011’s The Errant Charm. Check out their breezy, new Jack Johnson-esque track “Current Carry” below.

Vetiver will be playing The Hamilton on May 4.

Elohim – Sensations

Posted on April 27, 2016 by poetryinanemptycokecan

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This is our first time covering LA artist Elohim, but she’s racked up quite a following with the few tracks that she’s released thus far. The new one, premiered yesterday on Complex is called “Sensations” and is the lead single off her forthcoming self-titled debut EP. The mysterious singer is a classically-trained pianist who prefers preservation of musical artistry to the merits of frivolous fame. Her new song “Sensations” is a synth-driven ode to love, sex, and vulnerability. Elohim explains, “That unbelievable uninhibited-can’t breathe-is this a dream-I love you moment, where nothing exists or matters but the person next to you. That’s what sensations is to me.”

Elohim’s EP is out May 20 via B3SCI Records — available for pre-order here.

Nearly Oratorio – Occlude

Posted on April 25, 2016April 25, 2016 by poetryinanemptycokecan

If Simon Lam’s lulling falsetto sounds familiar, that’s because he’s also an elemental part of groups I’lls and Kllo. His solo project, Nearly Oratorio is a distinctly personal endeavor that blends soft acoustics with more discordant electronic sounds grounded in deeper meaning. In fact, an oratorio is “an extended musical composition with a text more or less dramatic in character and usually based upon a religious theme, for solo voices, chorus, and orchestra, and performed without action, costume, or scenery.” With music of such magnitude as his inspiration, it’s no surprise that the contemplative muso tackles abstruse subjects on his new EP Tin. The Melbourne-based artist’s aerial and alarmingly beautiful vocals recall those of Rhye‘s Milosh or Bon Iver‘s Justin Vernon. Stream the EP’s exquisite single “Occlude” below.

Kllo – Bolide

Posted on April 22, 2016April 22, 2016 by poetryinanemptycokecan

Ascendant Australian duo Kllo (formerly Klo), made up of cousins Simon Lam and Chloe Kaul have announced the release date of their new EP Well Worn. This week they unveiled the lead single “Bolide,” a glitchy dance track written in Lam’s bungalow and inspired by Caribou‘s most recent album as well as the early work of Machinedrum. Sharing their thoughts on the track, the duo said: “The lyrics behind ‘Bolide’ are about unconditional love — caring about the happiness of another person without any thought of what we might get for ourselves. The ones we love can have a tendency to react to things unfairly and blow situations way out of proportion, but we love them just the same.”

Well Worn is out August 5 on Ghostly International (North America), Different Recordings // PIAS (UK/Europe/Japan) and Good Manners Records (AU/NZ/ROW). Hear the lead single below.

So Much Light – The Barrel Keeps Rolling Forever

Posted on April 21, 2016April 21, 2016 by poetryinanemptycokecan

Video game nerds, take heed. Sacramento’s So Much Light (aka Damien Verrett) has reinterpreted an instrumental track from the celebrated game Donkey Kong Country into a “sad boy R&B jam,” and it is a beguiling beaut.

Explaining the inspiration for the revision, Verrett says: “The song is originally called ‘Stickerbrush Symphony‘ by the composer for all of the Donkey Kong Country games David Wise. This song in particular is really popular among people who are into video game music — it’s kind of the magnum opus as far as songs from Donkey Kong Country go. Growing up with video games I was always fascinated with the soundtracks and their ability to transport the player into different environments.”

Verrett’s reimagining, entitled “The Barrel Keeps Rolling Forever” will certainly transfix the listener with its stunningly smooth vocals and R&B intonations. Signed to Anti- Records, the singer released his debut EP Idiot Soul on the label late last year. Anti- Records is killing it right now with their roster, so you know he’s doing something right. Look out for more from this burgeoning artist on the horizon and stream below.

Nadia Nair – Blow

Posted on April 19, 2016April 19, 2016 by poetryinanemptycokecan

You can almost see the smoke emanating from Nadia Nair‘s breathy vocals as she sings on “Blow,” the third single from the Swedish singer’s upcoming debut album. “Blow” is an empowering, galvanizing pop number about emitting the bad from your life: “It’s about letting go with passion – smoke it out,” states Nair. Aiming to blend modern sounds as showcased here amongst ancient themes on her forthcoming debut, Beautiful Poetry will be self-released on April 29 via Nair’s label, Naboobia Records. Stream “Blow” below.

Yuck – Southern Skies

Posted on April 15, 2016April 15, 2016 by poetryinanemptycokecan

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London-based indie rock band Yuck are stopping through the District tonight to perform at Rock & Roll Hotel, with support from Big Thief and Bad Moves. The predominately shoegaze-inspired outfit have dabbled in a number of genres in their career, which first launched in 2009. Listen to the more minimal, melancholic song “Southern Skies” off their 2014 EP of the same name and head on out to the show this eve if you’re in the mood for some live music.

Highasakite – Golden Ticket

Posted on April 13, 2016October 2, 2016 by poetryinanemptycokecan

Highasakite have revealed the drop date of their forthcoming album Camp Echo — due out May 20 on Propeller Recordings. In advance of the release, the Norwegian collective previously shared the tempestuous track “Someone Who’ll Get It” and now they’ve unveiled the lead single “Golden Ticket.” The more upbeat, pop leanings of the track belie the dystopian subtext of the song, the opening line of which references a post-World War II poem by Gunvor Hofmo, ‘Det er ingen hverdag mer’ [translation: there’s no more every day]. “It’s a very famous verse, and was used a lot around the time of the Norwegian terrorist attacks [Oslo and Utøya, 2011],” explains vocalist Ingrid Helene Håvik. It’s this substantive nature of Highasakite’s lyricism alloyed with their sonorous arrangements that makes their music so resonant.

Camp Echo is available for pre-order HERE.

Von Sell – I Insist

Posted on April 8, 2016April 9, 2016 by poetryinanemptycokecan

Von Sell came onto our radar in 2015 with his infectious electropop track “Ivan,” making CCP’s list of electronic artists to keep an eye out for in the future. Now the Brooklyn-by-way-of-Berlin musician has made good on that prediction with a new song out called “I Insist.” More mellow and pensive than previous effort, “I Insist” is a soulful electro jam with smooth production and delectable vox.

Listen below, we insist.