[CCP Interview]: Great Good Fine OK on the Group’s Genesis Story & their Stylistic Influences

great-good-fine-ok

It’s been a busy past year for Great Good Fine OK, who since their relatively recent inception have put out two EP’s — Body Diamond and 2M2H under major label Sony. The Brooklyn duo is comprised of vocalist Jon Sandler and musician Luke Moellman, who have a flair for falsetto and shiny ’80s-imbibed production, respectively. We caught up with the guys of GGFO before their explosive set at DC9 to discuss the genesis of their name, their live musical influences, Justin Bieber, collaborating with artists such as St. Lucia, and the ‘fanciest’ deli in Brooklyn.

Thanks for taking the time to chat with CCP! First things first, how did GGFO come together?

Jon: Luke was living around the corner from me in Brooklyn with a friend of mine and a former bandmate, so we had become friends. Then one day about two years ago we said ‘let’s collaborate on something’ and decided to write a song together. Luke sent me the music to our first track (“You’re The One For Me”) and I wrote the lyrics and melody that night. We were both pumped about it, sent it to some friends who were also pumped about it and that’s kinda how it started. We formed a team around that one song, continued writing more songs until eventually we put a band together.

Luke: Yeah I remember we were walking back home from where we recorded the vocals and were like, ‘This is cool, we should start a real band.’ And Jon relayed he’d been saving the perfect band name his whole life. He was like, ‘It’s so good you ready to hear it?’ And I was bracing myself for it to not be that good. He said “Great Good Fine OK” and I was like okay.

Jon: We marinated on it for two months and asked everyone we knew what we thought – I feel like it was a 50/50 split of people that loved it or hated it. So we were on the fence but we had been talking about it and calling the project that for so long that when it came time to actually start making a Facebook page and such we were just like, that’s it.

We dig it [so much so that we bought a t-shirt!]. Has the creative / songwriting process stayed the same since that initial song?

Luke: More or less. Sometimes it’s a really developed and thought out structure, other times it’s a couple of ideas strung together. I’ll send it to Jon, he’ll add some stuff and we’ll go back and forth.

Did either of you study music growing up?

Luke: I did, I went to music school at University of Miami.

Jon: I did not, but I’ve just been singing my whole life. I was in choir since as long as I can remember, performed in musicals in high school and was in a couple of bands in college.

Speaking of performing, you guys have talked about how you were inspired by iconic ‘80s pop stars like Prince and Michael Jackson. In what ways have those artists influenced you?

Luke: It’s a combination of things – the musical style, the charisma of the performers, the catchy melodies, the rhythmic delivery of Michael Jackson, the falsetto stuff that Prince does, and the production of Quincy Jones.

Jon: Yeah, the songwriting but also the performance element of those artists informs what I want the live show to be like.

And who are you listening to currently?

Luke: Russian artist Tesla Boy, our friends Joywave who just came out with their debut album, Alina Baraz, and Shura.

Jon: I’m also personally obsessed with Jack Ü – especially that Justin Bieber song [“Where Are Ü Now”]. I think I listened to that about 100 times this past week, I don’t know why it’s speaking to me. I’ve been writing a lot for EDM artists so my brain has been tapped into that world and I’ve been exploring and appreciating really good EDM tracks, so that’s where I stumbled upon Jack Ü. I also co-wrote and performed on a Chainsmokers song and they’re awesome — travelling all over the world and killing it right now. We love them.

We love The Chainsmokers collab (“Let You Go”). You guys also worked with with St. Lucia recently. How did those collaborations come about?

Luke: Yeah the guys from The Chainsmokers had reached out to us. For the St. Lucia track, we had this song (“Something To Believe In”) with Jon singing those parts that St. Lucia sings (the lower stuff), and as we were sitting around one day trying to finish up the EP we realized it sounded like Jon was trying to sing like Jean-Philip from St. Lucia. We had just run into him at a Christmas party and thought it’d be cool to try to get him, so we wrote him an email and he was so nice — he was right in the middle of working on their new album so we were like we’ll understand if you won’t be able to do it. He happened to be on vacation with his wife in Germany, but he had a mic with him so he did it in his spare time and sent it back to us. It was perfect.

What inspired the title track of the EP, “Too Much To Handle”?

Luke: That song started with the music I sent to Jon; I had just moved out of an apartment that I had been living in with an ex-girlfriend I’d just broken up with. So I was living in a new place and whatever energy was going on at that time just kinda came out through that song.

Jon: Weirdly, whatever Luke sends me, even if he doesn’t tell me what it’s about I seem to write something that goes along with it. To me that song is just about how tough life can be and how you always seem to get through it.

What’s next for Great Good Fine OK?

Jon: We’re writing and recording a lot, accumulating songs, trying to figure out how we want to release more stuff, and then touring in the fall. We just got off the tour with Magic Man and we’re chomping at the bit to get back at it.

Naturally. What’s your favorite spot to grab a bite or beverage in Brooklyn?

Jon: There’s this deli / bodega around the corner from me that I call “Fancy deli” that I get sandwiches from four or five times a week.

Luke: There’s a cool speakeasy bar on Vanderbilt. No signage of course.

Listen to Great Good Fine Ok’s single with The Chainsmokers “Let You Go” below and be sure to like them on Facebook to keep up with their latest happenings. Their live show (and Jon’s dance moves) are not to be missed.

As a bonus, check out this fantastic, synth-laden remix by house producer Vasta and grab a free download on his Soundcloud page.

RMX ROUNDUP: RÜFÜS DU SOL / CHVRCHES + Tourist / Tora + Daniele di Martino

toraremix

Time for another Remix Roundup, a semi-biweekly segment in which we bring you the best new mixes and electronic tracks currently in our rotation. First up is the new single from RÜFÜS, the Australian act who are getting ready to release their sophomore album and follow-up to Atlas. The Sydney trio make dark, hypnotic electronic jams that we — and the large amount of fans they’ve amassed — can’t get enough of. Stream “You Were Right” below.

Speaking of artists people can’t get enough of, it’s been a banner year for Will Phillips, the gifted UK producer professionally known as Tourist. He won a Grammy for co-writing Sam Smith‘s smash hit “Stay With Me,” and has collaborated with a number of big name artists. While his take on CHVRCHES synthpop anthem “Lies” isn’t new, it feels like a good time to revisit one of his first major mixes. Stripping back the original into a slow-burning, piano-backed ballad, Tourist keeps the focus on Lauren Mayberry‘s vocals, which are masterfully layered and pitch-shifted at points to potent effect.

At last, we have a new one from Daniele di Martino, the German DJ/producer who has thoroughly impressed us with his intense, sun-drenched rendition of Tora‘s hit track “Jaigantic.” The more subdued original comes from Australian quintet Tora’s 2014 EP, Eat The Sun. With the fervid beats and bass Martino infuses — along with the yearning vocals — this entrancing revision is truly outstanding. It merits a spot on your summer playlist so snag a free download by liking Martino’s Facebook page here.

RMX ROUNDUP: Gavin Turek + TOKiMONSTA / AYER + TKDJS / Whitney Houston x Halogen

halogenrmx

It’s time for another Remix Roundup, and this week we’ve got a full line-up of soul-powered, dance-packed mixes. First up is a retake of a track by disco’s new pop princess, Gavin Turek. Having released her single “Frontline” this spring, the dance homage to Donna Summers has now been given the remix treatment by TOKiMONSTA. TOKi, who is one of our favorite female producers in the biz dials up the drama and dazzling deep house vibes on the original, while keeping Turek’s invigorating vox at the forefront. The remix package for this track drops June 26 via iheartcomix’s new label 1INFINITY.

Next is a rework taken from AYER‘s new EP, In My Headphones. The Brooklyn artist, who’s been featured on our remix segment before has crafted quite the soulful electropop song with the eponymous single off the EP. Fellow Brooklyn group TKDJS turn the track into an energetic house number replete with dark synths and deep bass lines. Pick up a free download for your headphones here.

Last but not least, we’re throwing it back with a spectacular rework of Whitney Houston‘s iconic track, “I Wanna Dance With Somebody.” God knows how much we loved Whitney in the ’80s, and thankfully Halogen gives us the chance to revisit “The Greatest Voice of All Time” in this century with a new twist on the classic. The Atlanta-based production duo apply a vibrant house backdrop to Whitney’s heart-stopping vocals, and the result is a rousing dance number that will make you wanna feel the heat with somebody — as well as to snag the track gratis on Halogen’s Soundcloud page.

Public Service Broadcasting – The Other Side

PSB

Following their 2013 full-length, Inform-Educate-EntertainPublic Service Broadcasting returned with new material this year, launching their second album in February. For those not familiar with PSB, the London duo use samples from archival footage and public information films to create guitar-driven electronica with an unusual but compelling and historical landscape.

In their new LP, The Race For Space, the astral act fly us back to the historic events between America and USSR in the quest for outer space from 1957 to 1972. The suspenseful track “The Other Side” — about Apollo 8’s orbit around the moon and their momentary loss of contact with NASA ground control — shows how the instrumentation seamlessly adapts to the spoken word to create a cinematic and inspirational tune.

PSB also recently released a remix EP of their single “Go.” Listen to LA-based producer Kauf‘s minimalist and stellar take below, and look out for PSB to be revisiting North America on tour sometime this fall.

Little May – Hide

littlemay

Sydney trio Little May has a handful of select US tour dates this month, gracing the District with their presence this Sunday, June 7 in support of The Vaccines at 9:30 Club. The indie-folk outfit has a sound that has been compared to First Aid Kit, Fleetwood Mac and Haim. Stream their single “Hide” for a sample of their sweeping acoustic production and delicate three-part harmonies, and look out for their debut full-length to be released via Capitol Records later this year.

As a bonus, listen to the Duncan Murray bootleg of the lauded Little May track below. The London producer flips the vocal and ups the tempo, giving it a completely new and equally enchanting vibe.

Little May US Tour Dates:

6.6.15 – Gentlemen of the Road Stopover Tour – Seaside Heights, NJ
6.7.15 – 9:30 Club – Washington, DC
6.8.15 – Johnny Brenda’s – Philadelphia, PA
6.10.15 – The High Watt – Nashville, TN
6.11.15 – Bonnaroo – Manchester, TN
6.13.15 – Rough Trade – New York, NY

RMX ROUNDUP: Years & Years + Gryffin / Major Lazer + Paige / Great Good Fine Ok + Shook

gryffin

Welcome to another Remix Roundup! Kicking off this edition is Gryffin‘s brand new edit of one of our favorite Years & Years‘ tracks, “King.” Speaking about the mix, the NY producer said “I’ve been a huge fan of Years & Years for quite some time so it was a huge honor when I was asked to remix their track. On this one I wanted to preserve the emotion and fun atmosphere of the original but give it a lively, euphoric vibe.” He nailed the euphoric vibes all right — stream this stunning rendition below.

Next, Major Lazer‘s “Get Free” gets a major facelift from Paige, another NY-based producer. While the original from Major Lazer (Diplo‘s side project) starring the Dirty Projectors‘ Amber Coffman on vocals has a more laidback vibe — Paige injects the mix with a deep house groove and big bass sound, making it a dance floor pleaser for sure. Pick this one up for free over on Paige’s Soundcloud page.

Finally, Shook shakes things up with an official new edit of Great Good Fine Ok‘s “Too Much To Handle.” The original from Brooklyn duo GGFO has already been mixed a number of times, but this sparkling and summery retake by the Dutch producer is by far our favorite with its refined production and playful synth lines. As an aside, GGFO will be playing at DC’s DC9 Nightclub this week on June 4, so be sure to check them out if you’re nearby!

RMX ROUNDUP: The Drums + RAC / Sam Feldt + EDX / José González + Dino Soccio

José-González-Let-It-Carry-You-Dino-Soccio-Remix

Kicking off this installment of Remix Roundup is a new one from RAC‘s repertoire, a remix of The Drums “Kiss Me Again.” RAC takes the surfy original (from the Brooklyn duo’s latest album Encyclopedia) to new levels with layered synths and a drum machine, giving it an overall ’80s feel. Regarding the selection, RAC said, “The Drums have been somewhat of an obsession of mine. When the opportunity came up to do a remix, I had to do it.” Pick up a free download of this jubilant mix on Soundcloud.

Speaking of the ’80s, if you’re a product of the era with a predilection for ’90s pop, you’ll most likely recognize this next one. Veteran Swiss-based producer EDX has done a retake of Sam Feldt‘s cover of the 1993 classic, “Show Me Love” by Robin S. We loved the original summery reimagination from Dutch producer Sam Feldt, and EDX elevates the tropical house track to a dance-floor ready jam. Sam Feldt’s version will be out June 1 via Spinnin’ Records.

Last but not least, we lead you out with this hauntingly eloquent rework of José González‘ single, “Let It Carry You” from LA producer/DJ Dino Soccio. Soccio manages to retain the airy organic feel of the original (that won accolades from the man González himself), while simultaneously adding a chillwavey nu-disco backdrop. Let this resplendent edit carry you to transcendence just after the four-minute mark.

Beat Connection – Illusion

beat_connection

Our favorite beatmakers from Seattle have shared a new single off their upcoming sophomore album, scheduled for release later this year. Beat Connection brings the funk on their latest effort “Illusion,” with an unexpected guitar riff and of course their signature shimmering synths. Stream the original below, along with an official mix from Amsterdam DJ/producer Saux — who ups the tempo for a splendid dance-floor groove.

Beat Connection will be on tour this summer supporting Django Django (including a stop in DC), so scope out the tour dates below.

Beat Connection on Tour
* with Django Django
7/16-18 – Timber! Outdoor Music Fest – Carnation, WA
7/28 – Webster Hall – New York, NY*
7/29 – 9:30 Club – Washington, DC*
7/31-8/02 – Lollapalooza – Chicago, IL
8/02 – First Avenue – Minneapolis, MN*
8/06 – Mayan Theater – Los Angeles, CA*
8/07 – The Observatory – Santa Ana, CA*
8/23 – MusicfestNW – Portland, OR
10/9-11 – ACL Music Festival – Austin, TX

Alex Winston – Careless

alex-winston-600x450

Alex Winston is the New-York-by-way-of-Detroit songstress who generated a decent amount of buzz in 2012 with her debut album, King Con. Now the classically-trained opera singer turned pop singer is set to release her sophomore LP via 300 Entertainment sometime this spring. Whereas on the last effort she used others’ stories for material, the forthcoming album sees the artist step out of her comfort zone by drawing from her own experiences.

I’ve never been comfortable writing songs about myself,” she revealed to Stereogum. “It’s always been easier for me to tell stories, so I wasn’t used to being as vulnerable, but . . . I felt like I was doing myself a disservice not making the album personal because I’ve had a few tumultuous years.”

Listen to “Careless,” the lead single off the upcoming album below. Also revisit the stellar Starslinger remix of her earlier single “Sister Wife.”

Our DC readers can check out Winston at the All Things Gold concert series tonight at U Street Music Hall, along with local favorites The Walking Sticks and Louis Weeks.

RMX ROUNDUP: Shakarchi & Stranéus + HNNY / Bag Raiders / Hundred Waters + Shigeto

shigeto

Welcome to another edition of Remix Roundup, a segment in which we bring you the latest and greatest mixes circulating the interwebs. First up is a refreshing upbeat edit of Swedish duo Shakarchi & Stranéus‘ “Hissmusik” from fellow Swedish producer HNNY (pronounced honey). The track amounts to insanely infectious dance music, complete with playful bass, an addictive vocal hook and even a flute solo. Treat your ears to this aural nectar below.

In keeping with this breezy and convivial vibe, we take a short remix interlude to bring you this blithe electronic track from Sydney’s Bag Raiders that we’ve had up our sleeves for some time. The now LA-based duo, Chris Stracey and Jack Glass import the tropics with “Nairobi,” an instrumental track infused with marimba melodies and conga rhythms that make us anxious for summer. Although the track was released on an EP of the same name last year, the group is allegedly at work on their second album.

Lastly, Michigan producer Shigeto recently was tasked with reworking a Hundred Waters track for their Remix album of The Moon Rang Like a Bell. While “Cavity” is a dark and spectral tune perfect in it’s own right, the Ghostly International-signed artist manages to add some levity to the original in a way that doesn’t detract — but rather gives it a new form entirely.

Exquisite instrumentation with Shigeto’s signature chimes and an intricate melody make for a revivifying final product, that sends our hearts soaring when the looping begins around 1:35 minutes in. Stream this Little Dragon-esque delicacy below, and be sure to pick up the entire Remix LP on iTunes while you’re at it.