RMX ROUNDUP: MNEK x Vanessa Carlton / Ellie Goulding + ATB / Justin Timberlake + Deficio

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We’re back with a new installment of Remix Roundup, which features some big house mixes this week. The first comes courtesy of MNEK, the UK producer who has crafted Vanessa Carlton‘s early 2000s hit “A Thousand Miles” into a banging house number, even sampling The B-52’s classic “Love Shack.” Listen to the explosive result of his inventive efforts below, baby.

Next up we have a new treat from legendary German producer ATB, who just released his remix of Ellie Goulding‘s “Love Me Like You Do” in anticipation of his tenth studio album. Unleashing his euphoric house production alongside Ellie’s enchanting vocals, ATB takes the original track to new heights in his progressive dancefloor-pounding rendition.

Last but not least we have a massive remix of Justin Timberlake‘s “Cry Me A River” from Deficio. As of late it was covered by CHVRCHES, and now the Swedish producer has reworked the track into an invigorating house number infused with some serious synth work and thunderous beats. Stream below.

Hundred Waters – Cavity

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Floridian five-piece Hundred Waters first made waves in 2012 with the release of their self-titled debut. Shortly thereafter, they signed to Skrillex’s OWSLA label and have been riding the momentum ever since — touring with Interpol in 2014 and even having their song “Show Me Love” picked up for a Coca-Cola ad in this year’s Super Bowl. Their 2014 sophomore album, The Moon Rang Like A Bell showcases a gorgeous blending of layered electronics and folk instrumentation, in a genre that is hard to pin down but has been coined by Pitchfork as “digital folk.”

Check out the intense standout track “Cavity,” along with the haunting Huxley remix of “Down From The Rafters” that we can’t get enough of below.

Currently on their biggest headlining tour yet, DC area folk can catch Hundred Waters in concert at U Street Music Hall this Friday, March 6.

VMX ROUNDUP: Parra for Cuva + Anna Naklab / Jai Paul + Adam Port / Disclosure + Flume / Metronomy + Soulwax / GRiZ x Chet Baker

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This edition of Remix V-Mix Roundup is getting supersized this week in honor of that amorous (or odious, depending on how you look at it) holiday that falls every February 14. Regardless of your position, we wouldn’t be curators of poetry if we didn’t bring you the best in new music that the spirit of the holiday inspires. So without further ado, enjoy these Valentine-themed mixes.

To start, we have the rousing rendition of Chris Isaak‘s “Wicked Games” from Parra for Cuva. The German producer’s tropical touch and upbeat production — coupled with Anna Naklab‘s sumptuous vocals — makes for a stunning and well, wicked cover.

Speaking of covers, the blogosphere went crazy in 2013 when Jai Paul‘s album featuring fabled cover of Jennifer Paige‘s 90s smash pop song “Crush” leaked via bandcamp. Since the album and original cover were later retracted, we leave you with this rad, percussive-heavy house edit from Berlin-based producer Adam Port.

Disclosure‘s “You & Me” was an instant hit in 2013, but when they asked Flume to do an official remix, the result was a staggering, sonically-realized ladykiller. Stream this massive mix below.

Of course, what Valentine’s mixer would be complete without the inclusion of Metronomy‘s “Love Letters”? The Soulwax revision from the 2014 single is an entrancing, disco-infused dance-floor pleaser, replete with a sultry trumpet interlude. If you weren’t already, get in the groove below.

Finally, we invite you to listen to an underappreciated track from the Detroit-based electronic artist GRiZ. Reimagining Chet Baker‘s classic “Fall in Love Too Easily,” GRiZ refashions the timeless piece into a modern and dance-ready remix. You’d be a fool not to fall for this track.

If that’s not enough for you, check out last year’s singles specials here.

RMX ROUNDUP: VÉRITÉ + backstroke. / Jack Garratt + Prides / Young Summer + Avec Sans

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Welcome to another Remix Roundup, in which we bring you the latest and greatest mixes currently stirring up the blogosphere. Starting us out is the new backstroke. remix of VÉRITÉ‘s “Echo,” off the recent remix collection of her debut EP by the same name. 2014 was a breakout year for the NY-based alt-pop artist, who will be on tour in March — stopping at DC9 March 12. We love DC producer backstroke’s revision of the VÉRITÉ track with its driving synths and 80s-infused soundscape that perfectly compliments the soft and sonorous vocals of VÉRITÉ. Trust us that you’ll want this rendition ringing in your head long after you listen below.

Next we have the new Prides remix of the Jack Garratt original, “The Love You’re Given.” Taking the soulful electronic track from the British singer, Scottish synthpop group Prides gives it a beautifully polished makeover with luminous synth lines and smooth production style. Stream the effort below.

Finally, UK production duo Avec Sans have resurfaced with their impressive rework of the Young Summer single “Severing Ties.” Similar to VÉRITÉ, last year was a favorable one for the DC-based songstress Bobbie Allen (aka Young Summer), who received a good amount of acclaim in 2014 for her debut LP Siren. The shimmering pop ballad gets a dance reboot from the UK act, spinning it into a grittier electronic number. Locals can catch Young Summer performing at DC’s U Street Music Hall February 20.

The Kite String Tangle – Stone Cold (ft. Tiana Khasi)

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In lieu of a Remix Roundup this week, we thought to share the latest track and accompanying remixes from Australian electronic producer The Kite String Tangle. Off his debut EP Vessel, “Stone Cold” is an affecting duet between TKST (aka Danny Harley) and Australian singer Tiana Khasi. Stirring vocals with a backdrop of tropical, melancholic synths set the tone for a ballad about that enduring theme of a love gone wrong.

 

TKST also released a “Stone Cold” Remix EP last month, including standout mixes from AMTRAC and KILTER. We like the juxtaposition of these two in particular, as AMTRAC’s version — utilizing his minimalist deep house production techniques — amplifies the drama of the original by focusing solely on the female’s side of the story.

Meanwhile, fellow Aussie producer KILTER highlights the male vocals/perspective, in addition to a strong drum and bass line. Listen to these two back-to-back for an interesting study in parallels.

RMX ROUNDUP: Le Youth / TAPES / Toyboy & Robin

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Welcome to another Remix Roundup, in which we bring you the latest mixes and electronic tracks currently burning up the blogosphere. After the last installment of folk-themed mixes, we thought we’d shake things up with some soulful R&B-tinged dance tracks this week. Starting us off is electronic artist Le Youth with his latest reimagining, “R E A L.” Pitching down the vocals from Brandy’s 1994 hit “I Wanna Be Down,” the LA producer (born Wes James) sprinkles some of his signature nu-disco and house vibes onto the original with a rapturous rendition that feels like 90s nostalgia personified.

 

Next we have a new track from an Ohio-based artist TAPES, who last month put out his EP entitled Songs to Drake Up To — a play off Ta-Ku’s album Songs to Break Up To. Seems appropriate, since according to TAPES the album was inspired by a personal breakup, after which he used the sounds of Ta-Ku and Drake to help cope. “Tried To” is an electronic recast of Drake’s “Take Care” with a more dance-infused production style. Where TAPES may have tried and not succeeded interpersonally in the past, he thrives with this upbeat reinterpretation of the Drake piece. Take care to stream below.

 

And finally we have the latest jam from Toyboy & Robin, “Don’t Just Say.” Actually influenced by Le Youth and other artists at the forefront of future house, the UK production duo deliver an energetic dance track that uses spliced and looped vocals from Brownstone’s 1993 R&B classic, “If You Love Me.” Transforming it an invigorating and glittering house number with the use of piano lines, layered synths and drum machines, this mix is sure to ignite dance floors everywhere.

Elderbrook – Could // How Many Times

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London electronic musician Alex Kotz aka Elderbrook is the latest artist to sign with Black Butter Records, and already we are intrigued. His debut EP Simmer Down, which was released November 23 on iTunes is highly worth checking out with entrancing singles like “Could” and “How Many Times.” Think Chet Faker x Seekae. Listen to the compelling track “Could” below, as well as the tantalizing “How Many Times” remix from German production duo Andhim, also included on the EP.

So many lies / So many lies that you thought out
It’s no surprise your shakin’ eyes get you caught out
A little time / A little time and it’s alright
And all the lines you drew / You didn’t find what you set out to

RMX ROUNDUP: Laura Doggett + Gilligan Moss / Milky Chance + Disciples / Daughter + LCAW

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Welcome to another Remix Roundup, in which we bring you the latest and greatest mixes roaming about the interwebs. First up, we’re thrilled to share the new effort from Gilligan Moss, the Chicago-based electronic artist who continues to impress us with his artful production work. This time he undertakes the sultry track “Moonshine” from London chanteuse Laura Doggett, slicing its silky framework into a progressive and rhythmic reinterpretation. Pitch-shifting the vocals to be higher at some points and lower at others creates a nice contrast against the natural lower register of Laura’s sinuous vocals. Stream below.

Next we have the Disciples deep house edit of “Down By The River” from Milky Chance. The German duo came out of the woodworks this year with their hit track “Stolen Dance” off debut album Sadnecessary, where the sulky “DBTR” can be found also. With their flair for future-retro sound, the UK trinity aka Disciples add a slick bassline to the moody track for a more polished feel. Give it a spin below.

To complete the folksy throughline we seem to have crafted in this week’s roundup, enjoy this LCAW remix of “Run,” a B-side track from the UK indie folk trio known as Daughter. The German producer speeds up the tempo on the more muted original, accentuating the guitar lines and creating an almost onomatopoetic effect. We dig.

RMX ROUNDUP: Jessie Ware + TOKiMONSTA/ Tourist + Years & Years / Little Dragon + Poolside

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Really, really excited to share the new Jessie Ware collab in this week’s edition of Remix Roundup. TOKiMONSTA, the LA producer caught up with Ware in Copenhagen as part of the Red Bull Studios Remix Project to rework the song “Keep On Lying,” off her new album Tough Love. The original is one of many gorgeous gems on the UK singer’s new record, but TOKi manages to elevate the track — infusing effervescent synths, cymbals and future bass into its melancholic core while leaving Jessie’s divine vocals at the forefront, pitch-shifting them at points for a richer, darker sound. Bottom line — if this remix isn’t love, then we don’t want to know.

 

Speaking of another artist who collaborated with Ware on her new album (on the song “Pieces”), electronic artist Tourist aka William Phillips has dropped a dazzling new track entitled “Illuminate.” Featuring our favorite British frontman, Olly Alexander of Years & Years on vocals, the London producer employs his poppier sensibilities on the song, using vibrant stuttering synths to illuminate the uptempo production and Olly’s achingly good pipes. The track was released November 16 on Polydor Records.

 

Lastly, Little Dragon brings up the rear with the Poolside rendition of the Swedish group’s track, “Cat Rider.” The LA-based duo and daytime disco-makers drip some of their dreamy poolside vibes onto the original, taking up the tempo on the track from Little Dragon’s latest effort, Nabuma Rubberband. The result is an exotic and inspired study in euphoric electronic lounge music. Listen below.

RMX ROUNDUP: AlunaGeorge + Danny T / Oscar Key Sung / HAERTS + Joywave

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This week’s installment of Remix Roundup features some mixes that have been on our back burner for awhile. But that doesn’t make them any less appealing, so let’s get started with Danny T‘s rework of AlunaGeorge‘s track “Outlines.” The Sydney-based producer takes the low-key original and smathers on some sick house vibes, rendering it dance-floor ready. And all you have to do to snag the track for your collection is ‘like’ his Facebook page here. Thanks, Danny!

 

As if there wasn’t enough good music coming out of Australia, the next cut comes from rising Melbourne-based singer/songwriter/producer Oscar Key Sung. Off his Holograms EP released earlier this year, “All I Could Do” is an explosive dance track with masterful production from Key Sung, who uses pitched-down samples, aching soulful vocals, and a shuffling beat to propel the track forward. One listen and you’ll be singing Sung’s praises.

 

Last but not least, we’ve been digging this Joywave edit of HAERT‘s “All the Days” as of late. Taking the ardent original and transforming it into a propulsive deep house number, NY production team Joywave set the stage early in the track with sinister sounds of saxophone, creating a melancholic mood until the last chorus comes crashing in around 3:33. Stream below.